In earlier {period|times of yore|precedent days} up to the first trendy period in Siam, Thai craftsmen were thought-about the "true artists". They were thought to possess superior intellect, a full understanding of culture and a large locomote knowledge. that they had the capability to form and manufacture nice works of art which will however seldom realize their equal in execution these days. These arts not solely mirrored the artists artistic force however additionally cultural reflections of the art and its use in Thai society and culture.
"Chang feemeu", roughly cherish country word "craftsman", has till solely recently been thought-about by most Thais to be a far lower designation than "silapin", or artist. this can be unfortunate and doesn't absolutely replicate the talent of some these artisans or the artistic treasures they made. we might wish to emphasize that the works of those craftsman, works that area unit attributed with intelligence and creativeness, area unit like to demand appreciation by all true art lovers. Any study of the crafts as being somehow a study of a lesser style of art doesn't absolutely appreciate verity creative force of those crafts or their importance to Thai life and culture. several of those "craftsmen and women" were and area unit national treasures. the most effective of their works have a living force that needs worship of the artisans artistic force and creative advantage.
The recent Thai phrase, "chang sip mu", or "ten divisions of craftsmen", could be a part whose original usage was the name of a section comprising craftsmen assigned to 10 division divisions. Let's take a glance at this list of divisions because it offers America a general plan of the vary of the craftsmen's trades in Siam at the time of the reign of the nice King avatar V (1853-1910).
